Having released his debut album Big Bobbi earlier this year, it’s fair to say that we weren’t expecting another big release from experimental/ambient producer Pork Bun quite so soon. That’s not to say we won’t welcome his new album Pork Bun – Within a Hill on Bridge Road with open arms, particularly given that it’s another collection of original, otherworldly tracks that keeps listeners entertained and engaged without ever encroaching on the reflection its contemplative tones promote.
Indeed, ‘mesmeric’ is probably the first word that comes to mind when you hear the thirteen tracks included on Pork Bun – Within a Hill on Bridge Road. Take opening track Rat Pond, for instance; the whole thing is a cascade of gentle electronic chimes backed by ripples of water and hazy, hissing beats, making for a two-and-a-half minutes that truly stops you in your tracks and calms you right there and then. It’s an album that really has the power to do that. Another notable moment is Zen-like DMV, which features a slightly more ominous undertone (on account of its eerie synth pads and moody melodies) but still slots in nicely with the vibe of the album. If you’re after some slightly more upbeat tracks, meanwhile, take a listen to closers Too Quiet and Lord of All That is Golden, which turn the otherwise tranquil album on its head by finishing off with some rave-ready moments.
In short, Pork Bun – Within a Hill on Bridge Road confirms everything that we’ve come to expect from what this talented producer (who has recently been referred to as “a master of experimental electronics”) has released so far. Rarely boring, and reflective without giving in to clichés, it’s an album you will want to return to every time you find yourself needing that extra bit of mental space.
